Ellen Pompeo's new update isn't good for Grey's Anatomy season 23.
As ABC's longest-running scripted series, the Shonda Rhimes-created medical series defined what the genre means on traditional broadcasting. The 2025-2026 TV cycle was transformative for the series, as it subjected Grey Sloan employees and patients to a spectrum of experiences. There were also some notable returns to the Seattle-based hospital, with appearances from Jackson and Addison. At the center of its storytelling remains Pompeo, who portrays Meredith Grey, and continues to function as its heart.
Grey's Anatomy season 22 continued to build other characters in the series, particularly the new generation of interns and doctors, but understandably, it's taking time to endear them to viewers the same way that they were invested in the show's inaugural cast. In the meantime, characters like Meredith, Bailey, and Webber maintain their place as its foundation. That said, Grey's Anatomy season 22 ended an era when it wrote out Owen Hunt and Teddy Altman after being in the project for nearly two decades.
As Grey's Anatomy season 23 moves on without two of its most veteran characters, the ABC project may be looking at another cast setback involving Meredith. Per Deadline, Pompeo has officially landed her next TV role, Hulu's Chicks. The endeavor will reunite the actor with Good American Family collaborator Katie Robbins, as well as Calamity Jane partner Laura Holstein, with 20th Television as the studio. Like their first project, Pompeo will play the titular character in Chicks, Chickie, who reconnects with her estranged half-sister, Doreen, after their dad unexpectedly dies. Out of necessity, they start continuing their dad's legacy of scamming people. The more they become successful, the more audacious they become.
What Ellen Pompeo's New Show Means For Meredith In Grey's Anatomy Season 23
Based on an original idea from Robbins that she developed specifically for Pompeo from their conversations during their time working on Good American Family, production for the pilot is slated to start in early September in New York. Despite being set in the Pacific Northwest, Grey's Anatomy has always filmed in California, which hints at Meredith's involvement in season 23 scaling back down again. For context, the actor stepped down as a series regular in season 19 and had minimal appearances until her expanded role in season 22. This allowed her to pursue other creative projects, including Good American Family.
With a big ensemble, it's safe to say that Grey's Anatomy season 23 won't have a scarcity of stories to tell. Focusing on the new generation of characters is a good way to ensure that the series will continue to live on beyond its remaining legacy players. That said, the idea of seeing Meredith less next cycle, especially after her joyous engagement to Nick in the season 22 finale, is still very disappointing. While the chances of her leaving are very slim to none, it's an important juncture in her story that deserves to play out on the screen.
20 Years Later, 'Grey's Anatomy' Needs To Stop Expanding
Once upon a time, the newest addition to the Grey's Anatomy roster felt like a special occasion, and there were various reasons for this, particularly the fact that someone could potentially die in increasingly ridiculous ways. But one of the biggest reasons was how well the show conveyed who the main characters were as individuals compared to virtually all other shows on network television.
Meredith Grey (Ellen Pompeo), Cristina Yang (Sandra Oh), Alex Karev (Justin Chambers), Izzie Stevens (Katherine Heigl), and George O'Malley (T.R. Knight) built a strong connection with audiences throughout the first several seasons of the show. While all the medical calamities were very entertaining, they were ultimately worth watching only because they affected the lives of the central characters. As a result, when looking forward to ABC's Grey's Anatomy spin-off, it doesn't feel as exciting as it probably should.
The untitled series, co-created by Shonda Rhimes and current Grey’s showrunner Meg Marinis, will move the franchise to rural West Texas for the first time. Instead of centering on an established Grey’s character like Private Practice did with Addison Montgomery (Kate Walsh) or Station 19 did with Ben Warren (Jason George), this series will reportedly focus on an entirely new group of doctors.
‘Grey’s Anatomy’ Already Feels Like a Different Show Than the One Fans Fell in Love With
Katherine Heigl, TR Knight, and Sandra Oh in an episode of Grey's Anatomy
Grey’s Anatomy has survived longer than almost anyone expected. It can be quite hard for a network drama to last upwards of 20 seasons, especially when it’s based on a rotating cast. Nonetheless, the amount of time a show has been on air and its continuing imaginative flow differ vastly. The original magic of the show stemmed from the comedic representation of dysfunctional, yet loving relationships and genuine emotional stories. Longtime fans of the show think that, as a whole, it has changed since it first began airing. The medical cases mattered more, but they also played a part in these characters' lives. The show struck a balance between that and never losing sight of the interns trying to survive impossible hours while ruining each other’s lives in on-call rooms.
Nowadays, it just seems like Grey's is trying to redo all of that. The show still knows how to manufacture cliffhangers, complete with explosions, hostage situations, near-death experiences, and surprise pregnancies, but there’s a growing sense that the series is repeating emotional beats instead of building toward anything meaningful. That’s part of why so many fans point to earlier seasons as the show’s natural endpoint. Some argue that Season 10 would have been the right place to stop after Cristina’s departure, while others think the COVID-focused Season 17 could have worked as a surprisingly poignant conclusion. There are even viewers who believe Season 14’s wedding-centered finale, “All of Me,” gave several core characters the closest thing the series has ever had to a satisfying ending. Instead, Grey’s kept going. And now, years after Pompeo stepped back from being the show’s full-time lead, ABC is preparing to expand the universe even further.
‘Private Practice’ Worked Because It Had a Reason To Exist
The cast of Private Practice in a promotional image.
Private Practice made sense because Addison was one of the franchise’s most beloved characters. The show also had a clear identity separate from Grey’s Anatomy. It traded Seattle’s chaotic surgical energy for a more intimate, slower-paced character drama in Los Angeles. Whether viewers loved it or not, it justified its existence almost immediately. On the other hand, Station 19 had a harder time carving out its own personality, but at least it still felt connected to the larger Grey’s world through familiar characters and frequent crossovers.
This new series doesn’t have either of those components just yet — news did just break, but where will the connections come from? Right now, the pitch mostly sounds like “Grey’s, but make it Texas.” That may change once casting details and storylines emerge, but it was the first impression fans got. A franchise can only expand so many times before audiences start noticing the machinery behind it.
ABC is turning nearly all of its biggest scripted dramas into franchises. 9-1-1 now has Nashville, The Rookie is getting The Rookie: North. One of the only ones missing is Grey's. Network television has become obsessed with expandable universes because recognizable IP is safer than launching something original from scratch. Viewers and advertisers know the name, and the network already knows there’s a built-in audience, but television history is full of franchises that kept growing long after the creative spark faded.
The Bigger Problem Is What the Spinoff Says About ‘Grey’s Anatomy’
Dylan Young (Kyle Chandler) carefully guiding Meredith Grey (Ellen Pompeo) through removing a bomb in Grey's Anatomy.
What makes the timing of this announcement especially strange is that Grey’s Anatomy itself is reportedly receiving reduced episode orders for budget reasons, so while the flagship series gets smaller, the franchise keeps getting bigger. ABC clearly still sees enormous value in Grey’s Anatomy as a brand. The ratings remain solid, and the streaming numbers are strong because viewers have been tuning in to the show for numerous reasons over the course of 20 years, including as a habit, out of loyalty or nostalgia, or through an emotional connection with the show's veteran characters.
However, a show can continue to survive, sometimes for a very long time, but not necessarily have a chance to evolve. The medical drama genre has taken on a whole new approach since Grey's Anatomy began airing in 2005. The success of HBO Max's The Pitt, among others, relies heavily on the relatable realism and the emotional exhaustion that many viewers experience after watching Grey's, as well as Grey's original "glossy" style appearing more and more like an extreme version of reality TV, while maintaining some of its original elements (which was a huge part of the show's original appeal).
Yet it is hard to ignore that we, as viewers, currently see Grey's generating momentum towards a franchise rather than creative urgency. This does not indicate that the new spin-off will undoubtedly be a failure; after 20 years, Grey's has proven its critics wrong. Texas could bring a refreshing change of pace to the series. Perhaps a new group of doctors will strike a similar chord with viewers, just as they once did with Meredith and Cristina or George and Izzie.
It would just be nice if Grey's Anatomy just ended as we know it and aired reruns of Seasons 1-10. So many people would be here for that.
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